Monday, March 31, 2008

Nikki Finke’s Deadline Hollywood Daily » Ruling Against Warner’s On Superman: How Legally Greedy Can Big Media Get?

"had to include the commentary from Nikiki -- she kept me sane during the writers strike and may need to do the same thing if SAG goes out.... Some additional thoughts on Copyright as well as "truth, justice, and the American....." -- HSM

 

Ruling Against Warner's On Superman: How Legally Greedy Can Big Media Get?

superman-comic-30.jpgI don't understand why the Warner Bros lot wasn't draped in black starting the middle of this week. Because the studio should be mourning the imminent loss of a shitload of Superman dollars. I've finally got my hands on the entire 72-page ruling Wednesday of U.S. District Court Judge Stephen G. Larson who concluded: "After 70 years, Jerome Siegel’s heirs regain what he granted so long ago — the copyright in the Superman material that was published in Action Comics, Vol. 1. What remains is an apportionment of profits, guided in some measure by the rulings contained in this Order, and a trial on whether to include the profits generated by DC Comics’ corporate sibling’s exploitation of the Superman."

Think about it: Siegel sold the rights to the action hero he created with Joseph Shuster to Detective Comics for $130, and his heirs got back ownership of the character in 1999 and can possibly lay claim to $50+ million of Warner Bros' and/or its DC Comics' cash. The Shusters look to clean up before too long, too. If you want all the Superman lawsuit's juicy background, Portfolio's Amy Wallace did a detailed article here.

For instance, Joanne Siegel (who'd been the sketch model for Lois Lane) wrote a 3-page letter back in 2002 to then Time Warner CEO Dick Parsons calling the company  “greedy” and “heartless” and acting “just like the Gestapo ... your company wants to strip us naked of our legal rights… Is that the reputation you want?” The answer is a resounding yes. Because for years Warner tied with Disney for its aggressive unwillingness to settle these kinds of legal disputes and its absurd eagerness to risk going to court. Its corporate counsel would hire litigation piranhas hungry for billable hours who pledge to make each case go away by exhausting the patience and resources of the creators or rightsholders. It's a thoroughly effective but completely disgusting way of doing business.

Yet it's interesting that, especially lately, Warner has lost or settled some very pricey lawsuits, especially those pursued by that Malibu Robin Hood of a litigator, Marc Toberoff, who has taken on Big Media on behalf of creators and their heirs for Superman and Superboy, The Dukes of Hazzard (read about it here), The Wild Wild West, It's Alive, and so on. The majors both fear him and hate him, with good reason: he's a relentless opportunist, which is exactly what's needed.

Finally, lest any rabid Superman fans blame the Siegels or Shusters for fucking up a Superman Returns sequel, or a Justice League of America movie featuring Superman (or not), know this: Warner execs fucked up both all by themselves. There's been enough backstory surrounding these pics to fill a book. I say there wouldn't have been if only Superman Returns had been any good...

Nikki Finke’s Deadline Hollywood Daily » Ruling Against Warner’s On Superman: How Legally Greedy Can Big Media Get?

Hollywood Today | Newsmagazine, with Attitude.

 

Billion at Stake? Judge returns “Superman” Copyright to Creator’s Heirs

Saturday, March 29th, 2008

“Superman” rights originally sold in 1939 for $130

By Matthew B. Zeidman

 

LOS ANGELES (Hollywood Today) 3/29/08 – Time Warner Inc. and its subsidiary, Warner Bros. Entertainment, were dealt a blow worthy of Superman Wednesday, when a federal judge restored partial copyright ownership of the comic-book hero to the heirs of one of his creators, Jerome Siegel.

The late cartoonist’s estate will be entitled to a yet-undetermined amount of domestic profits from Superman endeavors since 1999, but a later trial will determine if that includes the recently resurrected Warner Bros. movie franchise and other on-screen appearances or only the series of comic books.

Siegel created Superman with his partner, Joe Shuster, in 1932, and sold the rights to Detective Comics (later renamed DC Comics) in 1938 for $130 and a contract to provide the company with future material. Siegel, Shuster and their heirs have been fighting with DC and its subsequent parent company, Warner Bros., since 1947 to reclaim the rights to Superman and similar character Superboy. Several changes to copyright law enacted by Congress over the past several decades have fueled the creators’ long legal fight.

Hollywood Today | Newsmagazine, with Attitude.

Monday, March 3, 2008

IEEE Expresses Interest in Collaborating with International Consortium to Develop Open Access Publishing Model for High-Energy Physics Literature

IEEE Expresses Interest in Collaborating with International Consortium to Develop Open Access Publishing Model for High-Energy Physics Literature 

 

PISCATAWAY, N.J. - (Business Wire) The IEEE announced that it will participate in the SCOAP3 initiative, a global effort to develop an open access publishing model that will make peer-reviewed research articles in the high energy physics field available to online users at no cost. The IEEE is the world’s leading professional association for the advancement of technology.

The IEEE agreed that relevant articles from one of its journals, the IEEE Transactions on Nuclear Science, may be used to develop the new publishing model proposed by SCOAP3 (the Sponsoring Consortium for Open Access Publishing in Particle Physics). A letter signed by the IEEE expressed interest in the initiative, provided it will result in “sustainable” funding and business arrangements to support open access publishing.

“IEEE members are leaders in the development of technologies that are changing the world for the better, including the ways that we disseminate and use research,” said John Baillieul, vice president, IEEE Publication Services and Products. “In November, we adopted principles to provide a framework for us to explore new publishing models. SCOAP3 also endorses principles such as the value of peer review to validate scientific research, and the need for self-sustaining business models. The IEEE is keenly interested in exploring approaches that benefit the creators and consumers of technical literature.”

SCOAP3, which emerged largely through the support of European libraries, government agencies and Geneva-based CERN – the European Organization for Nuclear Research, is gathering support in the United States: recently, the University of California and several National Laboratories pledged funds to the consortium. The goal of the consortium is to convert subscription payments for high-energy physics journals to funding for peer-reviewed literature that will be distributed online, free to users.

SCOAP3 plans to provide financial support to publishers providing peer review and publication of complete journals dedicated to the high energy physics field, as well as select articles in what the consortium calls “broadband” journals. The IEEE Transactions on Nuclear Science, which serves a wide range of engineering disciplines, would be considered such a “broadband” journal. Under the SCOAP3 plan, paid subscribers to a broadband journal would receive a price reduction to account for the subset of the journal’s articles that are supported by SCOAP3 funding.

A not-for-profit organization, the IEEE’s decision to work with SCOAP3 followed its Board of Directors’ decision in November to adopt the IEEE’s Principles of Scholarly Publishing, in order to provide a framework to evaluate new publishing models.

“The IEEE will be examining the operation of the SCOAP3 model in the coming months, and we expect that our experience will inform future discussions on open access and other policy discussions, as guided by IEEE’s publishing principles,” Baillieul said. “The IEEE is interested in experiments, to test approaches to open access publishing that will be consistent with these principles.”

A summary of the IEEE’s Principles of Scholarly Publishing includes:

  • Society benefits from the ability of scholarly publishers to develop, sustain and archive technical publications;
  • Scholarly publishing environments should be intellectually free;
  • Research results are enhanced by peer review to validate technical worthiness and scientific integrity;
  • Scholarly publishing requires financial support from self-sustaining business models, and no single business model can fit the needs of various scholarly communities;
  • All technology professionals, scientists and authors should have an equal opportunity to publish, regardless of their financial resources;
  • Government’s role should be to fund research and ensure that results are vetted and disseminated by organizations with the experience, infrastructure and independence to provide the public with affordable and reliable access;
  • In all cases, government should observe copyright and intellectual property rights of authors and publishers, including those instances where government mandates public access to government-sponsored research;
  • Not-for-profit societies have a unique obligation to conduct all their activities, including publishing, not for the benefit of any individual or group of individuals, but directly or indirectly for the benefit of the global public.

The full text of the IEEE Principles of Scholarly Publishing and additional background information is available online at http://www.ieee.org/go/publishingprinciples.

IEEE Expresses Interest in Collaborating with International Consortium to Develop Open Access Publishing Model for High-Energy Physics Literature

Dawn of the Dead copyright owner drags Capcom to court

 

Dawn of the Dead copyright owner drags Capcom to court
Posted February 29, 2008 at 11:59 PM by Pulkit Chandna
 

The MKR Group, which holds the rights to the horror flick Dawn of the Dead (1978) and its 2004 remake, has finally decided to drag Japanese publisher Capcom to court claiming that the latter’s game Dead Rising (2006) encroaches upon the copyright and trademark of the movie. It has filed an official complaint against Capcom at the US District Court in New York.

According to a report by Reuters, MKR group has claimed that both Dead Rising and Dawn of the Dead provide “thoughtful social commentary on the ‘mall culture’ zeitgeist,” while drawing parallels between the flagrant violence featured in them.

Dead Rising, an Xbox 360 exclusive, was released in August 2006, and sold more than 1 million copies within first five months of its release. The game takes place in an expansive, zombie-infested shopping mall just like the movie. This similarity in the central themes has rubbed the MKR Group the wrong way. The company had previously sent letters to Microsoft and Best Buy notifying them of its claims. However, Capcom was quick to rebuff those claims, as it believes that the zombie-vs-humans-in-a-mall theme can not be protected by copyrights.

Read [Reuters] Also Read [BBC] Also Read [Wired]

http://www.gamertell.com/gaming/print/dawn-of-the-dead-copyright-owner-drags-capcom-to-court/

The Library as Open Access Publisher, and Digital Publishing 2.0 « OPEN ANTHROPOLOGY

The Library as Open Access Publisher, and Digital Publishing 2.0 « OPEN ANTHROPOLOGY 

The Library as Open Access Publisher, and Digital Publishing 2.0

1 03 2008

A report by Scott Jaschik in Inside Higher Education (Abandoning Print, Not Peer Review, Feb. 28, 2008) announces what the reporter thinks will be a major new challenge to print publications in academia:

Those tracking the move toward open access publishing look for milestones such as the new federal law that will make much research supported by the National Institutes of Health available online and free or the recent move by Harvard University’s Faculty of Arts and Sciences to place professors’ scholarly papers in an open repository.

A recent announcement out of Indiana hasn’t received the same attention, but may represent a larger challenge in the end to the traditional model of scholarly publishing, which has evolved to a system with expensive print and online publications and limited access for readers. A professor at Indiana University who is editor of an anthropology journal published traditionally has started a new journal - online and free - using tools made available by the library. After a one-year experiment, the journal is now officially launched and is already attracting many more readers than the establishment print model ever did….READ MORE HERE

■■■

The discussion that follows at the end of the article is also very interesting, with an animated debate about the alleged hidden costs of electronic, open access publishing; the difficulty in getting publications in online journals accepted by colleagues for tenure and promotion purposes; contentions that what Indiana University is doing is not a pioneering, first move, nor unique; and, a vigorous affirmation of the vital role played by librarians in this process, a sector of the university that at least one librarian (rightly, in my view) thinks is routinely undervalued by faculty.

■■■

Digital Culture Books is also an interesting venture by the University of Michigan mentioned by one of the commentators on the piece above. The project announces itself as follows:

digitalculturebooks is an experimental publishing strategy with a strong research component. By making our content available in print and online, we intend to:

  • develop an open and participatory publishing model that adheres to the highest scholarly standards of review and documentation;

  • study the economics of Open Access publishing;

  • collect data about how reading habits and preferences vary across communities and genres;

  • build community around our content by fostering new modes of collaboration in which the traditional relationship between reader and writer breaks down in creative and productive ways.

■■■

PUBLISHING 2.0 ?

What remains to be done, and here I mean by all of us, is to revisit and reconceive what we think of the future of publishing in the social sciences in light of online, open access conditions, especially with reference to the question of peer review, and the very notion of what constitutes the “peer” as well as the nature and extent of the review process.

Many are still speaking in terms of a once-off publication model, forgetting that online publishing allows for infinite revision. Given the kinds of social networking and tagging sites we see online today, I wonder if it would be worthwhile for an online journal to divide itself into sections such as: pre-reviewed, and reviewed articles. “Pre-review” articles would be posted as received, and allow for open reviewing by readers, over a certain time period, allowing readers to post comments and/or “favourite” the piece. That would be version 1.0. Following a specified amount of time, the author would then produce a revised version, the 2.0 version, which would then be moved to the “Reviewed” section of the journal. Dialogue between authors and readers would still be encouraged from then onwards, and the journal should allow subsequent revisions, hence future versions 3.0, 4.0, and so on.

The Library as Open Access Publisher, and Digital Publishing 2.0 « OPEN ANTHROPOLOGY

Science Commons, Open Access … and affiliate marketing!!! : business|bytes|genes|molecules

 Science Commons, Open Access … and affiliate marketing!!! : business|bytes|genes|molecules

Science Commons, Open Access … and affiliate marketing!!!

February 29, 2008

In association with SPARC and ARL, the good folk at Science Commons have released (under a CC-BY-NC license) a whitepaper to help scientists comply with the NIH mandate to archive their work on PubMed Central. The white paper is a good read for any scientist doing any publishing, especially the section on compliance options (Section IV).

In related news, Richard Poynder interviews John Wilbanks of Science Commons (the interview is made available as a PDF file under a CC license). In the blog post, Richard talks about John’s vision for the internet and open science

In addition, Wilbanks believes the Internet should be viewed as a platform for facilitating the free circulation and sharing of the physical tools of science — cell lines, antibodies, plasmids etc. In a sense, he wants to see these tools embedded into research papers — so if a reader of an Open Access paper wants more detailed information on, say, a cell line, they should be able to click on a link and pull up information from a remote database. Should the researcher then want to obtain that cell line from a biobank, they should be able to order it in the same way as they might order an item on Amazon or eBay, utilising a 1-click system available directly from the article.

I couldn’t agree more. That’s exactly the kind of thing I was imagining when I blogged about Assay Depot. It is also one way to monetize the open science web. I doubt John is saying that assays, equipment, etc accessed from an open science paper should be available for free. Given a semantic web of scientific information, or some form of semantic markup, which allows people to perform the kinds of actions described by John, one could think about publishers setting up affiliate relationships with vendors, perhaps coming up with one way of funding open access journals. Of course, everything will have to be on the up and up (in other words, full transparency and no special treatment for papers with affiliate vendor equipment used).

Science Commons, Open Access … and affiliate marketing!!! : business|bytes|genes|molecules

The Imaginary Journal of Poetic Economics: High Energy Physics Goes Open Access

The Imaginary Journal of Poetic Economics: High Energy Physics Goes Open Access 

High Energy Physics Goes Open Access

The SCOAP3 Consortium aims to shift the entire field of High Energy Physics to open access publishing, by re-directing subscription funds. So far, over half the necessary commitments have been received, and SCOAP3 is growing fast!
Thanks to Peter Brantley for blogging some notes on the February 29 meeting on the SCOAP3 Consortium at Berkeley.
SCOAP3 builds on the tradition of sharing of preprints that is part of the culture of high energy physics research, first through paper, then through the arXiv server. In HEP, journals are needed for officialdom; but arXiv is what researchers read.
While SCOAP3 is a global consortium requiring everyone to commit to succeed, it is actually much simpler than other existing HEP collaborations, according to CERN's Salvatore Mele. For example, the LCH Atlas Detector serves involves 40 funding agencies and over 1,000 contracts!
SCOAP3 is a great model for a stable, planned transition of an entire field to OA publishing. If your institution is involved in High Energy Physics research - please sign on!
This post is part of the Transitioning to Open Access Series.
Thanks to Peter Suber on Open Access News.

The Imaginary Journal of Poetic Economics: High Energy Physics Goes Open Access

Slaw: Could Locke Still Be the Key? Part I

Slaw: Could Locke Still Be the Key? Part I 

Could Locke Still Be the Key? Part I

by John Willinsky on March 2nd, 2008

What follows is the opening of a book prospectus I am in the midst of developing for a work on John Locke and what I refer to as the “intellectual properties of learning.” This book grows out of an earlier article I did on Locke’s “common-wealth of learning” and will explore — well, if that’s not clear in the first 800 words of the prospectus, can I reasonably expect a hard-pressed publisher to bite? Putting this in Slaw follows on recent Web 2.0 data-mashups that would drag the book-in-progress into the network, setting it adrift in the blogosphere and giving readers a chance to peer and prod. This seemed to go well for Mackenzie Wark’s Game Theory thanks in part to nifty set-up provided by the Institute of the Future of the Book. I thought I’d jump in at even earlier stage to see what the water’s like and give this project’s buoyancy a bit of a test. I’ll add a further section or two in future Codicilogs.

The Intellectual Properties of Learning: Locke’s Common-Wealth of Learning

For the world of learning, it is surely the best of times. This age of information is marked by increasing ease of access to knowledge. Biomedical researchers working on tropical diseases readily find the latest studies freely available online in the PLoS Journal of Neglected Tropical Diseases and the East Africa Medical Journal, without having to worry if their libraries have been able to afford a subscription; and high school history students studying the American Revolution have a chance to read a facsimile of a letter between Abigail and John Adams discussing the struggle. Yet at this self-same moment, those who live the life of learning must also wonder if it is not the worst of times, an epoch of rising price barriers to research, an era of test-driven classes. Those same tropical disease researchers are finding that most of the articles referenced in those two journals will cost $40 each to view (if their library has not already spent thousands subscribing to the journals the references are in), while university presses feel forced to turn down monographs that might otherwise revise our thinking on the American Revolution, because library budgets for such works has been thoroughly commandeered by journal-price increases. But then, too, those high school student have little enough time for the richness of original sources in history class, given the training and preparation time needed for achievement tests in literacy, mathematics, and science.

The Intellectual Properties of Learning will provide a way forward from this Dickensian divide between the best and worst of times for learning. The book will make clear how the root of the problem lies in treating both a study of the American revolution and a song by Justin Timberlake as indistinguishable forms of intellectual property over which the copyright holder can exercise monopoly rights for decades. Lumping all intellectual properties together like this is simply not the best thing for what John Locke referred to as “the common-wealth of learning,” however well Mr. Timberlake may profit by it. The book will set out how Locke is the source of both problem and resolution within learning’s oddly mixed knowledge economy. After all, no one has had a greater influence over the prevailing theory of property. And yet within his theory, this book will show, is an overlooked place for the distinct intellectual properties of learning.

This book will use the place of learning within this theory of property to work out a series of principles for sorting out the current contradictions afflicting the economics of research and scholarship. It will also present the case for enabling students in school opportunities to experience the intellectual properties of learning, which involves seeing how learning can be a benefit and service to others of a particular sort (to take nothing from Timberlake’s contribution to our lives). How otherwise are we to imagine students being prepared to enter a knowledge-based economy when they have little or no experience of knowingly working with the concept of intellectual properties?

The goal of this book will be to provide scholars, university administrators, scholarly societies, librarians, and policymakers with a basis for sorting out and resolving the research economy’s current contradictions that will include forging new relationships and initiatives among the players in this economy. It will provide, as well, an educational approach to intellectual property that will enable students to both make the distinctions at issue for learning, as well as appreciate the larger concept that plays such a central role in both the commercial and public spheres. In this way, the intent of this book is to help others advance what learning has to offer — as an educational concept, a guide for professional practice, and a public good.

It is certainly apparent at this point that the knowledge economy that underwrites this broadly defined field of learning is more than a little mixed at the moment. At one level, it bears all the irrationality and sense of free-for-all that inevitable follows a new technology’s sweeping all of the old models for doing business before it. Yet it also seems particularly odd to see research, as work that is ostensibly committed to the public interest, divided by opportunistic and altruistic tendencies, and riddled with password protection, digital rights management, and click-to-read open access systems. Learning is at once becoming a much greater part of the larger knowledge-based economy, even as it contributes far more to the public sphere.

The Internet has greatly increased the value of intellectual properties (think dot.com), encouraging a thousand business schemes to bloom. Yet just as forcefully, the Internet has facilitated greater openness, speeding up the circulation of ideas, enabling greater collaboration, within this realm of learning. High school students, amateur historians, and professional historians end up contributing to Wikipedia articles. Amateur star-gazers collaborate with professional astronomers on articles for scholarly journals. Within international research communities, data is being shared; research instruments and tools are given away; articles are being placed online for all to read. And nothing less than this cooperative openness has any chance at all of adequately addressing such pressing questions of, for example, global warming, pandemics, and persistent poverty. As Peter Suber, philosopher-champion of open access, puts it “the more knowledge matters, the more open access to that knowledge matters.”

Slaw: Could Locke Still Be the Key? Part I

Are you my copyright mother? « Rogertaraxms’s Weblog

"New service for aiding in staying copyright complient from Stanford" 

Link -- http://collections.stanford.edu/copyrightrenewals/bin/page?forward=home

HSM

Are you my copyright mother?

March 3, 2008

what you need to know are available here and here, but neither they nor anyone else can tell you where to look for all of the necessary information.)  Indeed, this “orphan works” problem is so thorny what you need to know are available here and here, but neither they nor anyone else can tell you where to look for all of the necessary information.)  Indeed, this “orphan works” problem is so thorny that it took the Copyright Office more than 200 pages to describe it and a proposed solution in a recent report.

Some significant help is now available.  The Chronicle of Higher Education reports  that Stanford University has created a searchable Copyright Renewal Database, covering  renewal registrations of books  (but not other works) published in the United States between 1923 and 1963.  That’s a key period, as books published in the U.S. before 1923 are now in the public domain, and works published in the U.S. after 1963 were (if necessary) automatically renewed.

Many thanks to the Cardinal for this valuable service.

Are you my copyright mother? « Rogertaraxms’s Weblog

Medical News Today News Article

Medical News Today News Article 

Options For University Implementation Of NIH Policy Offered By New Whitepaper
03 Mar 2008   
SPARC (the Scholarly Publishing and Academic Resources Coalition), Science Commons, and the Association of Research Libraries (ARL) have jointly released a white paper to help university and medical school administrators ensure their institutions comply with public access requirements that are soon to be a condition of National Institutes of Health (NIH) funding.
Effective April 7, 2008, investigators must deposit articles stemming from NIH funding into the agency's PubMed Central online archive, to be made publicly available no later than 12 months after publication in a journal. Complying with the National Institutes of Health Public Access Policy: Copyright Considerations and Options will help provosts, research administrators, and campus counsel understand their institution's copyright-related obligations and options under the new Congressionally mandated policy, which was announced in January and replaces an earlier voluntary approach.
The timely analysis was prepared by Michael W. Carroll, an attorney, copyright expert, and faculty member at Villanova University law school. Carroll reviews the policy and its background, explains the legal context, and presents six alternative copyright management strategies that will help grantee institutions assure they reserve the necessary rights for articles to be made available in PubMed Central.
Carroll has been involved for several years in copyright issues as a member of the Creative Commons board and an advisor to Science Commons. In 2004 he worked with SPARC to develop the popular SPARC Author Addendum (http://www.arl.org/sparc/author/), which enables authors to reserve rights to deposit their works in open online archives.
"The benefits to biomedical research of the new NIH policy are ultimately nothing short of tremendous," said Heather Joseph, executive director of SPARC. "The sooner we can get effective implementing mechanisms in place, the sooner researchers, institutions, and the public can put PubMed Central to work. With April implementation drawing near, this paper will be a great tool to help administrators jumpstart the local planning process."
"Congress and the NIH recognize that the Internet makes a difference," said John Wilbanks, Vice President of Science Commons. "Faculty authors can no longer sign away their copyrights in a business-as-usual manner when doing so means that their work will never be openly accessible over the Internet. This white paper is a step in making sure authors and universities understand how to move forward with a solid legal footing."
Karla Hahn, Director of the ARL Office of Scholarly Communication, added, "The new NIH requirement should accelerate ongoing efforts to establish norms for authors to routinely retain rights to deposit works in local as well as national digital repositories. Carroll's much-needed analysis clarifies the new opportunities for institutions to develop strategic approaches to rights management issues."
----------------------------
Article adapted by Medical News Today from original press release.
----------------------------
Complying with the National Institutes of Health Public Access Policy: Copyright Considerations and Options is available free on the SPARC Web site at http://www.arl.org/sparc/advocacy/nih/copyright.html.

Medical News Today News Article

Development Blog » Collections

Very interesting beginning of a blog -- not sure why its here or what it is doing exactly, but it provides a number of issues related to digital collection building -- I particularly likes the main principles, and it started out right from my perspective in that it takes the view that  digital collections should be developed in the same vain as traditional collections,  i.e. with an aim to support the mission of the parent organization.....HSM

Development Blog » Collections

Scholarly Communications @ Duke » The discordant argument for harmony

Scholarly Communications @ Duke » The discordant argument for harmony

"Excellent argument -- I personally dislike all types of bait and switch type of arguments and this article reveals another of the games played by the corporate interests who main interest is in protecting their bottom line" -- HSM

The discordant argument for harmony March 3, 2008

Posted by Kevin Smith in : Copyright Issues and Legislation , trackback

Last Monday, in his regular column for the Financial Times, James Boyle discussed the ubiquitous argument that copyright laws should be harmonized around the world. Often phrased as a argument about competitive advantage, the call for harmonization, Boyle points out, only goes in one direction — upwards. No one ever asks that the laws be harmonized downward in favor of lesser protection, even when there is substantial evidence that copyright protection is now far more restrictive and protective than is necessary to accomplish the purpose for which it is intended, to provide incentives for creation. As Boyle indicates, copyright has become an “evidence-free zone” where the mounting number of studies that suggest that we are over-protecting intellectual property in a way that actually discourages and depresses creativity and innovation are consistently ignored. One economic study that Boyle cites, for example (and that I have mentioned before in this space), finds that the optimal term of copyright protection is only 15 years, not the average term we now have of approximately one-hundred years.

As if on cue, another industry lobbying group, dressed up as a think-tank, is touting their latest argument for additional protection; the Progress and Freedom Foundation wants to extend the performance right in US Copyright law to include recording artists. The principle argument for this grab at additional royalties, of course, is that other countries give recording artists such a right, and the laws ought to be harmonized. No thought is given, of course, to the possibility of seeking harmonization by lobbying other countries to drop this particular right, even though its absence in the United States is not shown to have done any harm to our recording industry. The argument that radio play is an economic benefit to the recording industry is dismissed as irrelevant, proving Boyle’s point about the fear of actual evidence.

Until legislators start to demand hard economic evidence for the changes they are asked to make to intellectual property laws, we will continue to have this game where lobbyists convince one nation to adopt a stricter IP regime than the rest of the world, then try to force that regime down everyone else’s throats in the name of harmony.

Scholarly Communications @ Duke » The discordant argument for harmony

Sunday, March 2, 2008

Free! Why $0.00 Is the Future of Business

 Free! Why $0.00 Is the Future of Business

"Interesting article from wired magazine......" HSM

 

Free! Why $0.00 Is the Future of Business

By Chris Anderson 02.25.08 | 12:00 AM

 

At the age of 40, King Gillette was a frustrated inventor, a bitter anticapitalist, and a salesman of cork-lined bottle caps. It was 1895, and despite ideas, energy, and wealthy parents, he had little to show for his work. He blamed the evils of market competition. Indeed, the previous year he had published a book, The Human Drift, which argued that all industry should be taken over by a single corporation owned by the public and that millions of Americans should live in a giant city called Metropolis powered by Niagara Falls. His boss at the bottle cap company, meanwhile, had just one piece of advice: Invent something people use and throw away.

Free! Why $0.00 Is the Future of Business

Copyright and social media monitoring (The Net-Savvy Executive)

 Copyright and social media monitoring (The Net-Savvy Executive)

Copyright and social media monitoring

Are you paying attention to The Associated Press v. Moreover Technologies, Inc. et al? I heard about it while interviewing the founder of a different company for the Guide to Social Media Analysis, my reference to the companies who monitor and measure social media. He was telling me that his company provides summaries and links back to original sources, in order to avoid the risk of copyright infringement issues. The interesting thing is, I had just heard from another company that they selected a data vendor specifically because of the full text clips in their feed.

So, what's the deal with aggregating media content for a commercial service? Does blog aggregation with full content feeds violate copyright? Is it a question of fair use (US—fair dealing elsewhere), or is there more to consider? I asked Eric Goldman, Assistant Professor and Academic Director of the High Tech Law Institute at Santa Clara University School of Law, who started by telling me, "the law in the area is complicated, multi-faceted and unclear."

Great. So much for wrapping things up with a tidy stroll through fair use considerations.

In addition to copyright, Goldman suggested these areas of potential concern (the usual disclaimers apply: this is not legal advice; check with your own lawyers):

  • Common law trespass to chattels
  • Computer Fraud & Abuse Act
  • State computer crime laws
  • Contracts
  • Trademark
Scraping web sites for content adds its own complications. Subscribing to RSS or XML feeds may improve things (legally), but then again, it may not. The existence of a feed doesn't necessarily mean that the content is freely available for commercial purposes.

Still with me?
So far, this is just the US perspective on an inherently international activity. My blog post was threatening to turn into a book, which I'm not even qualified to write (but I might want to read). So, let's go back to the current case that opened the topic, AP v. Moreover, or the Case of the Purloined Press. For extra credit, read the complaint (PDF).

This case isn't about social media monitoring; it's about redistributing traditional media content without a license. But it has similarities to other forms of media monitoring, in that a company is aggregating content for commercial purposes. How can a company avoid trouble while providing commercial content aggregation, and how does this translate to social media content with its millions of independent sources?

Potential solutions
One possible solution is to license the content. It's an established practice with traditional media that sets the terms of use, but it's not practical for decentralized, online media. Excerpting is another potential solution, which is being tested in the current case. The addition of metrics to raw content may help support a fair use/fair dealing argument. But with the unsettled state of the law, solutions are likely to be complicated and unclear, too.

When you get into the wilderness of social media sites, you encounter copyright, Creative Commons and terms of use that vary by site. This could be interesting. Oh, and complicated—and risky. We're not done with this topic, but for now, there's an ongoing case worth watching. I have my search feed running. Do you?

IMHO, IANAL, YMMV. I took an excellent course on communications law in grad school, and I enjoy a good conversation about policy, but I'm not a lawyer. You'd be an idiot to take anything I write or say as legal advice.

Copyright and social media monitoring (The Net-Savvy Executive)

Rock stars threaten labels on copyright cash | NEWS.com.au

 

Rock stars threaten labels on copyright cash

By staff writers

February 29, 2008 03:00pm

Article from: NEWS.com.au

Musicians say labels haven't passed on settlements

  • Lawsuit threat cash not handed over
  • Napster alone paid US$270 million to labels

SOME of the biggest names in music have not seen any money from copyright-infringement settlements and could sue their record labels, their managers say.
While Napster alone paid record labels US$270 million to settle a lawsuit, some agents told the New York Post that many artists have received little or no money from the settlements.
Lawyer John Branca, who has represented The Rolling Stones and Korn, told the newspaper that agents were discussing taking record companies to court if they did not cough up the cash.
"Artist managers and lawyers have been wondering for months when their artists will see money from the copyright settlements and how it will be accounted for," Mr Branca said.
“Some of them are even talking about filing lawsuits if they don't get paid soon.”
Manager Irving Azoff, whose clients included The Eagles and Jewel, said it was a struggle to get money from settlements out of record companies like EMI, Universal Music and Warner Music.
“They will play hide and seek, but eventually will be forced to pay something," Mr Azoff told the Post.
“The record companies have even tried to credit unrecouped accounts. It's never easy for an artist to get paid their fair share.”
An EMI spokeswoman said the label had started the process to give artists money from lawsuits, while a representative for Warner said “nearly all settlement monies have been disbursed” to musicians.
A spokesman for Universal said it was company policy to “share a portion of various settlements with its artists”.

Rock stars threaten labels on copyright cash | NEWS.com.au

Scots want to copyright the kilt | NEWS.com.au

 

Scots want to copyright the kilt

From correspondents in London

February 29, 2008 07:59pm

Article from: AAP

 

THE same special copyright protections given to champagne from France and parmesan cheese from Italy could soon apply to the traditional Scottish kilt.

Scotland is calling on the European Commission to give its national dress protections which would mean that only kilts made in Scotland could be called kilts.

The Commission has previously granted similar protections – known as protected designation of origin status – to those given sparking wine from the Champagne region in France, feta cheese from Greece and Italy's famous parmesan cheese.

Edinburgh-based kilt-maker Howie Nicholsby said Scotland's campaign was designed to stop the makers of cheap, imported garments calling them Scottish kilts.

"This campaign has come about through years of frustration," The Independent newspaper in Britain quoted him as saying.

"I grew tired of seeing poor quality kilts selling in shops on the high street for STG20 ($42) and calling themselves Scottish kilts.

"They look terrible – it's like someone wearing a dishcloth. People should feel pride in wearing a real Scottish kilt, but people are being put off kilts completely because the cheap ones look so bad."

European Commissioner for Consumer Protection Meglena Kuneva is considering the case for the kilt.

Scots want to copyright the kilt | NEWS.com.au

Linux.com :: End Software Patents project comes out swinging

 

End Software Patents project comes out swinging

By Bruce Byfield on February 29, 2008

Four months after being announced, the End Software Patents project (ESP) is launching a new Web site with arguments for economists, computer scientists, lawyers, and lay people about why they should support the project. Prominent on the site is the publication of a report on the state of patents in the United States during 2006-07, and a scholarship contest that will award $10,000 for "for the best paper on the effects of the patentability of software and business methods under US law."

The project is being launched with initial funding of a quarter million dollars, supplied primarily by the Free Software Foundation (FSF). Under the directorship of Ben Klemens, a long-time advocate of software patent abolition best-known for the book Math You Can't Use: Patents, Copyright, and Software, the project is being supported by the FSF, the Public Patent Foundation, and the Software Freedom Law Center (SFLC).

One of ESP's goals is to enlist support from academics, software developers, legal experts, and business executives. Its initial supporters show that the project is already well on its way to building such a coalition.

"Software patents give the megacorporations a sort of dominion over the whole software field," says Richard Stallman, FSF president and founder, explaining his organization's support of ESP. "For all other software developers, and for the users of software, they are dangerous. We have to eliminate them." The FSF is committed to continuing to raise funds for ESP indefinitely until it achieves its goal of abolishing software patents.

At the SFLC, Chairman Eben Moglen expressed similar views, describing the present American software patent system as "a significant long-term nuisance and occasional long-term threat." Moglen notes that, as a nonprofit organization, the SFLC is limited in the political advocacy that it can undertake. However, he anticipates doing "what we can to provide intellectual material for legal activity that we are permitted [and] we will, if possible, assist our clients in the passing of legislation that is helpful in eliminating software patents." Moglen also expects the SFLC to assist in educating the legal community about the issues surrounding the campaign.

Another supporter of ESP is Brad Feld, founder and chair of Mobius Venture Capital. An opponent of software patents since he studied in the late 1980s under Eric von Hippel, the famous innovation expert at at the MIT Sloan School of Management, Feld describes software patents as "a gigantic waste of time and money," arguing that "you'll find very few sophisticated investors who invest in companies because of their software patent portfolios," except outright patent trolls.

Nor, contrary to what many believe, are patents an incentive for investment, according to Feld. He dismisses the idea of "spending money and time in an early stage company" to obtain patents, because "going through the patent process means waiting three or four years, when really what's more important is how you play out in the market. The actual cost of either asserting or defending a patent far outweighs the benefits."

To promote ESP, Feld plans to continue blogging on the subject of patents, as he has done for several years. He is also due to sit on an advisory board at the University of California at Berkeley with technology legal expert Pamela Richardson, and committed to funding a full-time researcher on software patents at the University of Colorado Law School.

Web site resources

As well as serving as a focus for the campaign, the ESP Web site is designed to educate people on the subject of American software patents. Several pages summarize the arguments against software patents for a variety of audiences. For those familiar with the subject, these pages have little new. They explain the vulnerability of everyone to patent infringement cases, and make several well-known arguments, such as that software patents stifle innovation, and that the idea of patenting mathematics or source code is fundamentally absurd. Instead, the site suggests, copyright would be a more suitable form of protection, and certainly a less wasteful one in terms of time and money. However, for those new to the subject, together these pages quickly make an academic case for the subject.

Perhaps the most original of these pages is the one aimed at lawyers, which describes the potentially important cases involving software patents today. Another page lists major cases and settlements.

Another major source of information on the site is the PDF report on the state of software patents over 2006-2007. Entitled "The current state of software and business method patents: 2008 edition," the report is obviously intended to be the first in an ongoing series.

Much of the report's 11 pages is devoted to summarizing the history of American patent law, as it moved from considering software unpatentable in the 1980s to allowing software patents in the mid-1990s, and created the increasingly untenable situation of the present. For those who need to be brought up to speed on the subject, the summary is an ideal resource.

The rest of the report is a miscellany of related information on current trends. For instance, the report estimates that, at an average of $4 million to litigate a mid-sized patent, some $11.4 billion is wasted per year on software patent litigation in the United States. The report also notes that, despite the general academic trend to accept software patents, three recent studies found no evidence that patents had any effect on innovation, while a fourth suggested that patents stifled innovation.

The report further suggests that, based on the tentative changes contained in The Patent Reform Act of 2008 (S.1145), a bill currently before Congress, reform is unlikely to improve the current situation. Although proposed changes such as a change from granting patents to the first to file to the first to invent, and a set scale for assessing damages, are welcome, the fact that US patent law does not treat software as a unique category makes extensive change almost impossible, according to the report.

The site offers ways to put this information to practical use. However, although one page is entitled "What can I do?" the main call to action is a call for papers prominently displayed at the top of the menu.

As well as the first prize of $10,000, the contest is also offering prizes of $4,000 and $1,000. "Papers may be from law, economics, management, computer science, or any other field." according to the contest page, and "may be empirical or qualitative." Despite the obvious perspective of ESP, the contest instructions include a warning that "bias and quality of scholarship tend to work against each other. Papers that let the facts and the data speak for themselves will fare better than papers that work from a foregone conclusion."

This comment echoes the general style of the site. For all the site's obvious bias, the general tone is one of reasoned academic discourse, with statements carefully supported by evidence and some attention paid to answering opposing arguments.

ESP's initial strategies

As the site suggest, one of ESP's primary concerns is education about patent issues. But the project also intends to assist corporations contesting patents, either in court or in the US Patent and Trademark Office -- although only "to the extent that the patent is a test case for questioning patents at large," Klemens says.

One area that ESP will not get involved in is attempts to reform existing software patent law. "There are on the order of 100,000 software patents out there today," says Klemens, and "we just don't have the bandwidth to re-examine all those patents." Besides, some patent reform is already happening, because of such cases as KSR v. Teleflex, which should make the filing of obvious patents harder. Advocacy groups for reform, such as the Electronic Frontier Foundation's Patent Busting Project, are already underway. And, ultimately, ESP's goal is abolition, not reform.

For now, at least, ESP seems to reject politics as its main battleground. Speaking of the bill now before Congress, Klemens says, "The Patent Reform Act could have made Senator [Patrick] Leahy a hero in computer geek circles. Instead, it isn't doing much that we in computing would be significantly concerned with."

By contrast, the courts seem a venue far more likely to get results. "The Patent Office has recently rejected a spate of patents," Klemens says, "and those rejections have gone to the Federal Circuit, which is taking some of them as a chance to seriously reconsider the scope of what is patentable."

Klemens is especially interested in In re Bilski, a case that centers on the question of what is patentable. In the last few months, Klemens has been looking for such a test case, and he believes that "the Federal Circuit simply handed us an agenda" by hearing this case.

Klemens is currently working on an intervention in the case. "I have been working like crazy on an amicus curiae brief for the ESP. We've been making an effort to coordinate with other organizations to make sure that all the bases are covered in one brief or another, have been searching for companies that would like to sign on to our briefs, and otherwise making sure that our team has a strong showing in this case."

But Klemens is too experienced to imagine that obtaining ESP's goals will be so simple. "Even if we win Bilski -- and we can only guess the odds of that -- the fight is not yet over. There are people who lobby Congress and the courts for monopolies on their products all the time, so we need to be vigilant that any gains we're making now are not simply reversed."

In other words, ESP is probably in for a prolonged fight. For now, though, it has made a promising start.

Bruce Byfield is a computer journalist who writes regularly for Linux.com and IT Manager's Journal.

Linux.com :: End Software Patents project comes out swinging

It is Time for Open Access » The Daily Gazette

 

It is Time for Open Access

By Editorial Board

12:27 am - 02/18/08

Swarthmore might have been ranked one of the most wired campuses in the nation last year, but the College has not been quick to embrace the use of technology as part of its academic mission. Professors use Blackboard, but it is rare when blogs, podcasts, or video ever makes it into the classroom. A handful of professors don't even use email.

Now, however, the College has a unique opportunity.

Just last week, Harvard University's Faculty of Arts and Sciences embraced the Open Access movement. What does this mean? Every scholarly article that is to be published by a Harvard professor must also be submitted to the Provost's office with a non-exclusive license unless the faculty-member specifically asks for a waiver. After a set period of time, all of these articles will be made freely available online through Harvard's library. It is a remarkable decision.

Now, most research is published in expensive and closed journals— annual prices range from $800 (for Art and History journals) to well over $12,000 (for Chemistry journals). This means that only the wealthiest libraries have a hope of affording subscriptions, and that few scholars outside of the Western world would have any hope of access.

Open Access changes all that. Articles published online can be read and debated by any scholar in the world. Harvard has always been one of the world's foremost universities, and this will help cement that position.

Swarthmore needs to step up and join Harvard.

As a school, we pride ourselves on our commitment to social justice. Swarthmore students have started organizations to fight genocide, the raise awareness on the Iraq War, to buy bed-nets for children in Uganda, and to raise the wages of many Swarthmore employees.

We should embrace this commitment to social justice in the school's research as well. And there is nothing to lose. Swarthmore's scholars would gain a far wider audience for their research–and they could still publish in the journal of their choice: Two-thirds of all journals already permit scholars to make their articles freely available after publication, according to Peter Suber of Open Access News. The Swarthmore library system would, eventually, have thousands of dollars to spend on other vital resources. Swarthmore students would benefit from increasing dialogue with scholars in other parts of the globe.

The benefits of Open Access are clear. What are we waiting for?

It is Time for Open Access » The Daily Gazette