Showing posts with label electronic books. Show all posts
Showing posts with label electronic books. Show all posts

Wednesday, December 2, 2009

Google And The New Digital Future

Google And The New Digital Future

"Pretty much the way most thought it would go.....Sigh!" HSM

Google And The New Digital Future

 

The New York Review of Books November 9 is one of those strange dates haunted by history. On November 9, 1989, the Berlin Wall fell, signaling the collapse of the Soviet empire. The Nazis organized Kristallnacht on November 9, 1938, beginning their all-out campaign against Jews. On November 9, 1923, Hitler's Beer Hall Putsch was crushed in Munich, and on November 9, 1918, Kaiser Wilhelm II abdicated and Germany was declared a republic. The date especially hovers over the history of Germany, but it marks great events in other countries as well: the Meiji Restoration in Japan, November 9, 1867; Bonaparte's coup effectively ending the French Revolution, November 9, 1799; and the first sighting of land by the Pilgrims on the Mayflower, November 9, 1620. On November 9, 2009, in the district court for the Southern District of New York, the Authors Guild and the Association of American Publishers were scheduled to file a settlement to resolve their suit against Google for alleged breach of copyright in its program to digitize millions of books from research libraries and to make them available, for a fee, online. Not comparable to the fall of the Berlin Wall, you might say. True, but for several months, all eyes in the world of books--authors, publishers, librarians, and a great many readers--were trained on the court and its judge, Denny Chin, because this seemingly small-scale squabble over copyright looked likely to determine the digital future for all of us. Google has by now digitized some ten million books. On what terms will it make those texts available to readers? That is the question before Judge Chin. If he construes the case narrowly, according to precedents in class-action suits, he could conclude that none of the parties had been slighted. That decision would remove all obstacles to Google's attempt to transform its digitizing of texts into the largest library and book-selling business the world has ever known. If Judge Chin were to take a broad view of the case, the settlement could be modified in ways that would protect the public against potential abuses of Google's monopolistic power. That Google's enterprise (Google Book Search, or GBS) threatened to become an overweening monopoly became clear when the Department of Justice filed a memorandum with the court warning about the likelihood of a violation of antitrust legislation. More than four hundred other memorandums and amicus briefs also provided warnings about mounting opposition to GBS. In the face of this opposition, Google and the plaintiffs petitioned the court to delay a hearing that was scheduled for October 17 so that they could rework the settlement. Judge Chin set November 9 as the deadline when the new version of the settlement would be unveiled. The great event turned out to be a dud, however. At the last minute, Google and the plaintiffs asked Judge Chin to grant another extension. He gave them four more days, so the witching hour finally took place not on November 9 but on a less auspicious date, Friday the 13th. Why did the deadline look so monumental? The terms of the settlement will have a profound effect on the book industry for the foreseeable future. On the positive side, Google will make it possible for consumers to purchase access to millions of copyrighted books currently in print, and to read them on hand-held devices or computer screens, with payment going to authors and publishers as well as Google. Many millions more--books covered by copyright but out of print, at least seven million in all, including untold millions of "orphans" whose rightsholders have not been identified--will be available through subscriptions paid for by institutions such as universities. The database, along with books in the public domain that Google has already digitized, will constitute a gigantic digital library, and it will grow over time so that someday it could be larger than the Library of Congress (which now contains over 21 million catalogued books). By paying a moderate subscription fee, libraries, colleges, and educational institutions of all kinds could have instant access to a whole world of learning and literature. But will the price be moderate? The negative arguments stress the danger that monopolies tend to charge monopoly prices. Equally important, they warn that Google's dominance of access to books will reinforce its power over access to other kinds of information, raising concerns about privacy (Google may be able to aggregate data about your reading, e-mail, consumption, housing, travel, employment, and many other activities). The same dominance also raises questions about both competition (the class-action character of the suit could make it impossible for another entrepreneur to digitize orphan works, because only Google will be protected from litigation by rightsholders) and commitment to the public good. As a commercial enterprise, Google's first duty is to provide a profit for its shareholders, and the settlement leaves no room for representation of libraries, readers, or the public in general. Story continues below An extensive argument about the pros and cons could turn Judge Chin's courtroom into a forum where the full range of literary questions would be dramatized by debate. No courtroom drama took place on November 13, because nothing happened other than the filing of the revised settlement (call it GBS 2.0 to distinguish it from the original version of the settlement, GBS 1.0). But the filing was important in itself, because it marked the denouement of years of hard bargaining over who would control a large stretch of the digital landscape that is just now coming into view. To be sure, GBS 2.0 will certainly be challenged by groups and individuals who claim they were not fairly represented in the classes of authors and publishers. The case may take years to work its way through the courts. Meanwhile, Google will go on digitizing; and as the legal situation evolves, it may devise further revisions of the settlement (GBS 3.0, GBS 4.0, etc.). The public will have to study all the new versions of the settlement in order to stay informed about the rules of the game while the game is being played. Who ultimately wins is not simply a matter of competition among potential entrepreneurs but an issue of enormous importance to everyone who cares about books, even though the public is reduced to the role of spectator. As the first step toward a resolution, the filing on November 13 suggested just how far Google is willing to go in modifying the original settlement. Google's spokesman hailed the revised version as providing all the benefits and none of the defects that one could expect. According to Dan Clancy, Google Books engineering director, Google is still very excited about this agreement.... We look forward to continuing to work with rightsholders from around the world to fulfill our longstanding mission of increasing access to all the world's books. But the arguments in favor of the reworked settlement came from Google and the plaintiffs who will become its collaborators if their deal is approved. To get a sense of the counterarguments, one can survey the memorandums and amicus briefs that were filed with the court before November 9.[*] The protests that came from Europe are the most revealing. Although they concentrate on issues of special importance to foreigners--above all, the incompatibility of American class-action suits with protection for copyright holders who are not Americans--they show how the settlement was seen from a distant perspective. The governments of France and Germany sent memorandums urging the court to reject the settlement "in its entirety" or at least insofar as it applied to their own citizens. Far from seeing any potential public good in it, they condemned it for creating an "unchecked, concentrated power" over the digitization of a vast amount of literature (this according to the French memorandum) and for doing so (according to the Germans) by a "commercially driven" agreement negotiated "in secrecy...behind closed doors by three interested parties, the Authors Guild, the Association of American Publishers and Google, Inc." In contrast to the commercial character of Google's enterprise, both governments stressed the higher values represented by their national literatures. The French began their memorandum by invoking Pascal, Descartes, Molière, Racine, and other writers through Camus and Sartre, while the Germans summoned up the line that led from Goethe and Schiller to Heinrich Böll and Günter Grass. Each country cited the number of its Nobel Prize winners in literature (France sixteen, Germany twelve), and each buttressed its case by other evidence of high-mindedness. The Germans insisted on Gutenberg and his contribution to "the spread of science and culture." The French cited the Declaration of the Rights of Man and of the Citizen from 1789 and the Universal Declaration of Human Rights of 1948 in order to uphold the principle of "free access to information" threatened by Google's "de facto monopoly." It is an odd spectacle: foreign governments defending a European notion of culture against the capitalistic inroads of an American company, and submitting their case to Judge Denny Chin of the Southern District Court of New York. What Judge Chin, who grew up in Hell's Kitchen in a family of poor Chinese immigrants (and won a scholarship to Princeton University) made of it all is difficult to say. He did not tip his hand on November 13, nor did he say when a hearing would take place. In playing the cultural card, the French emphasized the unique character of the book, "a product unlike other products"--its power to capture creativity, to enrich civilization, and to promote diversity, which, they claimed, would be compromised by Google's commitment to commercialization. The Germans spoke in the name of "the land of poets and thinkers," but they laid most stress on the right of privacy, which, they argued, Google could threaten by keeping data on who reads what. Both governments then listed a series of subsidiary arguments, which were nearly the same, word for word--unsurprisingly, as they engaged the same legal counsel: 1. The settlement gives Google a virtual monopoly over orphan works, even though it has no claim to their copyrights. 2. Its opt-out provision, which means that authors will be deemed to have accepted the settlement unless they notify Google to the contrary, violates the rights inherent in authorship. 3. It contains a most-favored- nation clause--i.e., a provision that prevents a potential competitor from obtaining better terms than Google in any new commercial uses of the digitized books. The terms of such future enterprises will be determined by a Books Rights Registry composed exclusively of representatives of the authors and publishers. The Registry will keep track of copyrights and cooperate with Google in setting prices. 4. It gives Google the power to censor its database by excluding up to 15 percent of the digitized works. 5. Its guidelines for pricing will promote Google's commercial interests, not the good of the public, through the use of algorithms created by Google according to Google's secret methods. 6. It favors secrecy in general, hiding audit procedures, preventing the public from attending meetings in which Google and the Registry will discuss library matters, and even requiring Google, the authors, and publishers to destroy all documents relevant to their agreement on the settlement. Above all, the French and Germans condemned the settlement for sanctioning the "uncontrolled, autocratic concentration of power in a single corporate entity," which threatened the "free exchange of ideas through literature." To drive the point home, they both noted that Google has taken in more revenue than many countries--$22 billion in 2008. The same points were made in a hearing before the European Commission on September 7 by the three most important international library associations: the International Federation of Library Associations (IFLA), the European Bureau of Library, Information and Documentation Associates (EBLIDA), and the Ligue des Bibliothèques Européennes de Recherche (LIBER). In nearly identical testimony, all three stressed the danger that "a large proportion of the world's heritage of books in digital format will be under the control of a single corporate entity." It was Google's sheer power that gave them pause. They summoned up the prospect of a digital library of 30 million books that would cost $750 million, and they concluded that Google would exercise something close to hegemony in the book world. Therefore, they appealed to the European Commission to defend the interests of the public by preventing Google from abusing its power. Some of these associations submitted similar statements to the New York court. So did hundreds of other groups and individuals. After reading through them, one has the impression of a sense of alarm gathering force and rising to the surface of a collective consciousness. As November 9 approached, it did indeed promise to be a day of destiny, when we would begin to see into our digital future and to face the forces that might determine it. Where was the Department of Justice in the pre-November debate? It, too, submitted a memorandum for the court's consideration. After months of investigating potential violations of antitrust law, the DOJ pointed to two serious difficulties: the possibility of horizontal agreements among authors and publishers to restrict price competition and the further restriction of competition by Google's de facto exclusive rights to the digital distribution of orphan works. Competitors would be denied access to millions of orphans, the memorandum argued, because they would not enjoy the immunity from suits for copyright infringement that the settlement reserves to Google. Moreover, the settlement's equivalent of a most-favored-nation clause would prevent all competitors from obtaining better terms than Google's even if they could put together an attractive database. Instead of expatiating in the European manner on the danger to the world's literary heritage, the DOJ warned about something concrete: the "risk of market foreclosure." What to do? Far from sounding hostile to Google Book Search, the DOJ acknowledged its potential to promote the public good and announced, "The United States does not want the opportunity or momentum to be lost." The memorandum could therefore be read as a prescription for a way to save the settlement. It concentrated on the most hotly debated provisions--those concerning the approximately seven million out-of-print but in-copyright books, especially orphans--and it suggested the following changes: 1. Require rightsholders of out-of-print books to participate in the settlement by opting in instead of operating from the assumption that they had agreed to participate unless they opted out. The shift to an opt-out default would remove Google's control of books whose rightsholders cannot be identified or do not come forward. 2. Do not distribute the profits from the sale of orphan books to the parties of the settlement (Google and the authors and publishers) but rather use the money to fund a thorough search for the unknown rightsholders, and extend the search for a long period of time. 3. Appoint guardians to protect the interests of orphan rightsholders by serving on the registry. 4. Find some mechanism by which potential competitors to Google could gain access to orphan works without exposure to suits for infringement of copyright. Presumably this would require legislation by Congress. 5. Prevent Google from using out-of-print works in new commercial products without the owner's permission. The DOJ said it would continue to investigate the potential violation of antitrust laws, and it concluded with an unambiguous imperative: "This Court should reject the Proposed Settlement in its current form...." But its recommendations for an improved settlement did not go far--not nearly as far as those suggested by the governments of France and Germany and many other critics. The DOJ said nothing about the need for monitoring prices, protecting privacy, preventing censorship, providing representation of the public on the registry, and requiring full disclosure of Google's secret data. If the DOJ encouraged Judge Chin to take a broad view of the settlement, it did not open the door wide. The revised settlement, or GBS 2.0, released on November 13, reads as if Google and the plaintiffs took most of their cues from the DOJ's memorandum. In a clear concession to the DOJ's criticisms, GBS 2.0 provides that the Registry will include a court-appointed guardian to represent the rightsholders of unclaimed books. But it does not switch to an opt-out provision for such rightsholders--that is, according to GBS 2.0, any owner of a copyright of an out-of-print book would be deemed to accept the settlement unless he or she rejected it. Because millions of books, primarily orphans, fall into this category where the rightsholders are difficult to identify, Google alone would enjoy immunity from prosecution by any rightsholders who might turn up--and the exposure to litigation, which could easily reach $150,000 per title, would be enough to prevent any competitor from entering the field. Instead of providing a solution to the problem of orphan works, GBS 2.0 leaves Google in command of their commercialization, pending eventual legislation by Congress. As to revenue from the sale of orphan books, GBS 2.0 complies with the DOJ's insistence that the money not go to Google and the plaintiffs. Instead it will be spent in efforts to search for the unidentified rightsholders; and after being held for ten years, the funds will be distributed to charities determined by court order. GBS 2.0 also follows the DOJ's recommendation to abandon the most-favored-nation clause. Google's competitors would be able to license out-of-print books in retail enterprises --that is, in selling individual works to consumers--although Google would maintain exclusive control of the institutional subscriptions to its gigantic database. How the price of those subscriptions will be set remains unclear. GBS 2.0 has some language explaining the way its pricing algorithm will work, but it contains no effective mechanism to prevent price gouging, no provision for an antitrust consent decree that would empower a public authority to monitor prices, and no way to protect the public from excessive pricing should Google be taken over in the future by rapacious speculators. GBS 2.0 does not therefore differ in essentials from GBS 1.0. It largely ignores the objections of foreign governments, except in one crucial respect: it partly meets the objections by narrowing the scope of GBS to books published in the United States and to countries with similar legal systems--that is, the United Kingdom, Canada, and Australia. Google will not display books published in countries like France and Germany, and it will give them representation on the Registry to protect their interests. Just what proportion of unclaimed works will now be excluded from the settlement by this concession remains to be clarified. Will these concessions be enough to mollify Google's critics outside the Department of Justice who are not parties to the settlement? Probably not, judging from a statement issued on November 13 by the Open Book Alliance, whose members include Microsoft, Amazon, and Yahoo: By performing surgical nip and tuck, Google, the AAP [Association of American Publishers], and the AG [Authors Guild] are attempting to distract people from their continued efforts to establish a monopoly over digital content access and distribution; usurp Congress's role in setting copyright policy; lock writers into their unsought registry, stripping them of their individual contract rights; put library budgets and patron privacy at risk; and establish a dangerous precedent by abusing the class action process. What then is the outlook for the future? No one can predict the fate of the settlement as it bounces from court to court; but if the public good should be taken into consideration, one can imagine two general solutions to the problems posed by GBS, one maximal, one minimal. The most ambitious solution would transform Google's digital database into a truly public library. That, of course, would require an act of Congress, one that would make a decisive break with the American habit of determining public issues by private lawsuit. The legislation would have to settle ancillary problems--how to adjust copyright, deal with orphan books, and compensate Google for its investment in digitizing--but it would have the advantage of clearing up a messy legal landscape and of giving the American people what they deserve: a national digital library equal to the needs of the twenty-first century. But it is not clear how Google would react to such a buyout. If state intervention is deemed to go too far against the American grain, a minimal solution could be devised for the private sector. Congress would have to intervene with legislation to protect the digitization of orphan works from lawsuits, but it would not need to appropriate funds. Instead, funding could come from a coalition of foundations. The digitizing, open-access distribution, and preservation of orphan works could be done by a nonprofit organization such as the Internet Archive, a nonprofit group that was built as a digital library of texts, images, and archived Web pages. In order to avoid conflict with interests in the current commercial market, the database would include only books in the public domain and orphan works. Its time span would increase as copyrights expired, and it could include an opt-in provision for rightsholders of books that are in copyright but out of print. The work need not be done in haste. At the rate of a million books a year, we would have a great library, free and accessible to everyone, within a decade. And the job would be done right, with none of the missing pages, botched images, faulty editions, omitted artwork, censoring, and misconceived cataloging that mar Google's enterprise. Bibliographers--who appear to play little or no part in Google's enterprise--would direct operations along with computer engineers. Librarians would cooperate with both in order to assure the preservation of the books, another weak point in GBS, because Google is not committed to maintaining its corpus, and digitized texts easily degrade or become inaccessible. This digitizing process could be subsidized as part of the Obama administration's economic stimulus, and the overall cost, spread out over ten to twenty years, would be manageable, perhaps $750 million in all. Meanwhile, Google and anyone else would be free to exploit the commercial sector. The national digital library could be composed from the holdings of the Library of Congress alone or, failing that, from research libraries that have not opened all their collections to Google. Perhaps other solutions could be devised. If the court did not resolve the Google Book Search problem on November 13, at least it had the potential to concentrate minds and stimulate public debate. We are agreed that something must be done to improve the nation's health. Why not do something to enrich its culture? --November 18, 2009

 

[*]The texts of the documents can be consulted at dockets.justia.com/docket/court-nysdce/case_no-1:2005cv08136/case_id-273913.

Robert Darnton is Carl H. Pforzheimer University Professor at Harvard. "The Case for Books: Past, Present, and Future" was published in October and "The Devil in the Holy Water, or the Art of Slander from Louis XIV to Napoleon" will be published in December. (December 2009)

Google And The New Digital Future

Tuesday, May 12, 2009

With E-Readers Comes Wider Piracy of Books - NYTimes.com

With E-Readers Comes Wider Piracy of Books - NYTimes.com 

Print Books Are Target of Pirates on the Web

Published: May 11, 2009

Ursula K. Le Guin, the science fiction writer, was perusing the Web site Scribd last month when she came across digital copies of some books that seemed quite familiar to her. No wonder. She wrote them, including a free-for-the-taking copy of one of her most enduring novels, “The Left Hand of Darkness.”

 

Cory Doctorow offers some free electronic versions of his books.

Ursula K. Le Guin was irked to find copies of her work online.

Neither Ms. Le Guin nor her publisher had authorized the electronic editions. To Ms. Le Guin, it was a rude introduction to the quietly proliferating problem of digital piracy in the literary world. “I thought, who do these people think they are?” Ms. Le Guin said. “Why do they think they can violate my copyright and get away with it?”

This would all sound familiar to filmmakers and musicians who fought similar battles — with varying degrees of success — over the last decade. But to authors and their publishers in the age of Kindle, it’s new and frightening territory.

For a while now, determined readers have been able to sniff out errant digital copies of titles as varied as the “Harry Potter” series and best sellers by Stephen King and John Grisham. But some publishers say the problem has ballooned in recent months as an expanding appetite for e-books has spawned a bumper crop of pirated editions on Web sites like Scribd and Wattpad, and on file-sharing services like RapidShare and MediaFire.

“It’s exponentially up,” said David Young, chief executive of Hachette Book Group, whose Little, Brown division publishes the “Twilight” series by Stephenie Meyer, a favorite among digital pirates. “Our legal department is spending an ever-increasing time policing sites where copyrighted material is being presented.”

John Wiley & Sons, a textbook publisher that also issues the “Dummies” series, employs three full-time staff members to trawl for unauthorized copies. Gary M. Rinck, general counsel, said that in the last month, the company had sent notices on more than 5,000 titles — five times more than a year ago — asking various sites to take down digital versions of Wiley’s books.

“It’s a game of Whac-a-Mole,” said Russell Davis, an author and president of the Science Fiction and Fantasy Writers of America, a trade association that helps authors pursue digital pirates. “You knock one down and five more spring up.”

Sites like Scribd and Wattpad, which invite users to upload documents like college theses and self-published novels, have been the target of industry grumbling in recent weeks, as illegal reproductions of popular titles have turned up on them. Trip Adler, chief executive of Scribd, said it was his “gut feeling” that unauthorized editions represented only a small fraction of the site’s content.

Both sites say they immediately remove illegally posted books once notified of them. The companies have also installed filters to identify copyrighted work when it is uploaded. “We are working very hard to keep unauthorized content off the site,” Mr. Adler said.

Several publishers declined to comment on the issue, fearing the attention might inspire more theft. For now, electronic piracy of books does not seem as widespread as what hit the music world, when file-sharing services like Napster threatened to take down the whole industry.

Publishers and authors say they can learn from their peers in music, who alienated fans by using the courts aggressively to go after college students and Napster before it converted to a legitimate online store.

“If iTunes started three years earlier, I’m not sure how big Napster and the subsequent piratical environments would have been, because people would have been in the habit of legitimately purchasing at pricing that wasn’t considered pernicious,” said Richard Sarnoff, a chairman of Bertelsmann, which owns Random House, the world’s largest publisher of consumer titles.

Until recently, publishers believed books were relatively safe from piracy because it was so labor-intensive to scan each page to convert a book to a digital file. What’s more, reading books on the computer was relatively unappealing compared with a printed version.

Now, with publishers producing more digital editions, it is potentially easier for hackers to copy files. And the growing popularity of electronic reading devices like the Kindle from Amazon or the Reader from Sony make it easier to read in digital form. Many of the unauthorized editions are uploaded as PDFs, which can be easily e-mailed to a Kindle or the Sony device.

An example of copyrighted material on Scribd recently included a digital version of “The Tales of Beedle the Bard,” a collection of fairy tales by J. K. Rowling. One commenter, posting as vicious-9690, wrote “thx for posting it up ur like the robinhood of ebooks.”

For some writers, tracking down illegal e-books is simply not worth it.

“The question is, how much time and energy do I want to spend chasing these guys,” Stephen King wrote in an e-mail message. “And to what end? My sense is that most of them live in basements floored with carpeting remnants, living on Funions and discount beer.”

Book sales are down significantly, and publishers say it is difficult to determine whether electronic piracy is denting sales. Some of the most frequently uploaded books, like the “Twilight” series, are also huge best sellers.

Some authors say they just want to protect the principle of compensating writers. “I don’t ask to get rich off this stuff,” said Harlan Ellison, an author and screenwriter. “I just ask to be paid.”

Nine years ago, Mr. Ellison sued Internet service providers for failing to stop a user from posting four of his stories to an online newsgroup. Since settling that suit, he has pursued more than 240 people who have posted his work to the Internet without permission. “If you put your hand in my pocket, you’ll drag back six inches of bloody stump,” he said.

Others view digital piracy as a way for new readers to discover writers. Cory Doctorow, a novelist whose young adult novel “Little Brother” spent seven weeks on the New York Times children’s chapter books best-seller list last year, offers free electronic versions of his books on the same day they are published in hardcover. He believes free versions, even unauthorized ones, entice new readers.

“I really feel like my problem isn’t piracy,” Mr. Doctorow said. “It’s obscurity.”

With E-Readers Comes Wider Piracy of Books - NYTimes.com

DigitalKoans » Blog Archive » Cornell Lifts Use Restrictions on Reproductions of Public Domain Works, Including over 70,000 E-Books

 

Cornell Lifts Use Restrictions on Reproductions of Public Domain Works, Including over 70,000 E-Books

The Cornell University Library has eliminated use restrictions on reproductions of public domain works, including over 70,000 e-books.

Here's an excerpt from the press release:

In a dramatic change of practice, Cornell University Library has announced it will no longer require its users to seek permission to publish public domain items duplicated from its collections. Instead, users may now use reproductions of public domain works made for them by the Library or available via Web sites, without seeking any further permission.

The Library, as the producer of digital reproductions made from its collections, has in the past licensed the use of those reproductions. Individuals and corporations that failed to secure permission to repurpose these reproductions violated their agreement with the Library. "The threat of legal action, however," noted Anne R. Kenney, Carl A. Kroch University Librarian, "does little to stop bad actors while at the same time limits the good uses that can be made of digital surrogates. We decided it was more important to encourage the use of the public domain materials in our holdings than to impose roadblocks."

The immediate impetus for the new policy is Cornell’s donation of more than 70,000 digitized public domain books to the Internet Archive (details at www.archive.org/details/cornell).

"Imposing legally binding restrictions on these digital files would have been very difficult and in a way contrary to our broad support of open access principles," said Oya Y. Rieger, Associate University Librarian for Information Technologies. "It seemed better just to acknowledge their public domain status and make them freely usable for any purpose. And since it doesn't make sense to have different rules for material that is reproduced at the request of patrons, we have removed permission obligations from public domain works."

Institutional restrictions on the use of public domain work, sometimes labeled "copyfraud," have been the subject of much scholarly criticism. The Cornell initiative goes further than many other recent attempts to open access to public domain material by removing restrictions on both commercial and non-commercial use. Users of the public domain works are still expected to determine on their own that works are in the public domain where they live. They also must respect non-copyright rights, such as the rights of privacy, publicity, and trademark. The Library will continue to charge service fees associated with the reproduction of analog material or the provision of versions of files different than what is freely available on the Web. All library Web sites will be updated to reflect this new policy during 2009.

The new Cornell policy can be found at cdl.library.cornell.edu/guidelines.html.

DigitalKoans » Blog Archive » Cornell Lifts Use Restrictions on Reproductions of Public Domain Works, Including over 70,000 E-Books

Friday, May 1, 2009

Google, Books and the Nature of Evil | ZDNet Government | ZDNet.com

Google, Books and the Nature of Evil | ZDNet Government | ZDNet.com 

Google, Books and the Nature of Evil

Posted by Richard Koman @ April 30, 2009 @ 12:43 PM

 

The proposed class-action settlement between Google and the authors’ and publishers’ groups would create a wholly new way of dealing with copyright and royalties. For some years, Google has been scanning books by the boatload. Not just old, public domain works as many academic and nonprofits projects had been doing for years, but books fully protected by copyright, as well as so-called orphan works — a concept I’ll explain below.

When authors and publishers screamed bloody murder and filed a huge class-action suit on behalf of pretty much all writers - at least all U.S. writers - Google’s response was surely brilliant. Here’s Google, clearly and obviously violating copyright, and the solution is a settlement that allows Google to continue its scanning operations, monetize them without fear, leverage the contents into its market-dominating search engine — and create a system that protects it from infringement claims from unknown copyright holders.

I’ve been posting about this for the last day or two and quite a few people have questioned just exactly is wrong with this. The short answer is that it gives Google a monopoly in literature, in the broadest sense of the word. Beyond this, the deal - which now looks like it may well be scuttled by the Justice Department - is merely indicative of increasingly troublesome trends within Google:

The company has become a true believer in its own goodness, a belief which justifies its own set of rules regarding corporate ethics, anti-competiton, customer service and its place in society. Tellingly, Google has set aside its “Don’t Be Evil” motto at the very time in which its actions increasingly look evil — all the more so for it protestations that it needs the dominance it claims for the good of the public, the good of the Internet, the good of the world.

Monopoly and orphan works

But let’s deal in specifics. What exactly is wrong with the Google Books settlement? To fully understand this, you have to take a close look at the orphan works issue. I first wrote about orphan works in 2004, when I explained the problem like this in an article for O’Reilly.

Beginning in 1976, Congress dramatically changed the law. In an effort to comply with the Berne Convention, the international copyright agreement, the new (current) law did away with copyright registration, automatically granting copyright at the moment of creation. It set the term at lifetime of the author plus 50 years. It did away with the renewal requirement. And then, to put the icing on the cake, in 1992, Congress retroactively applied the elimination of the renewal requirement to all works first published during 1964 through 1977.

These changes to the copyright laws had an unintended consequence: they created a class of so-called “orphan works,” works that would have gone out of copyright when their creators failed to renew a copyright claim under the old law, but which are now kept in prolonged copyright. (It’s an irony of the law that term is defined by the “lifetime of the author,” but that no registry of who the authors are or whether they are dead or alive is maintained.)

The Google book deal does away with this problem by paying orphan authors to come forward to get paid by Google. That means Google gets to use orphan works. And no one else does. The Internet Archive never scanned orphan works, much less clearly copyrighted works. They don’t get to use them. Google does.

Enter the Justice Department, which is said to be having conversations with Google and other players, over the antitrust implications of the deal. And authors, academics and the Archive are coming out swinging against it. How in trouble is this deal?

I talked to tech analyst Rob Enderle, who thinks this book deal “is going to get ugly.”

When you get the Justice Department involved, you gotta think there are issues. And this is not a Republican adminstration; the Democrats are less fond of monopolies. This is where Google’s lack of good public relations applies. They remind me of Microsft in that they’re not all that well connected, even though the CIO is fond of the company.

Indeed it appears that Justice’s involvement has escalated from “conversations” to “inquiry,” according to the Times. Last time Justice started inquiring about a Google deal - the proposed Google-Yahoo adverstising arrangement - things ground to a halt.

On Beyond Google

The bottom line here is that Google is unlikely to get what it wants, although, ironically, it may help make orphan works widely available to competing sites, Enderle thinks.

The positive side to this is that the scrutiny may help a lot of people get access to orphan books. I don’t see this stopping but there’s a real effort to reduce Google’s role.

Is that appropriate? “I have a problem with one company having that much control over the world’s literature. Google is trending in ways I don’t like,” Enderle told me.

Resistance to the Googleplex is showing up in lots of other ways, too. Like people stopping Google camera cars in Britain.

That story showcases that Google has this end-justifiies-the-means attitude. When a company gains excessive power, it becomes very difficult to separate the needs of the company from the need of consumers or the population as a whole. I’ve been looking at the history of evil lately. Most evil leaders actually feel they are leaders.

Looping back to the top of this piece . . . Google, like Microsoft, like Mussolini, believes in the greatness of what they are doing. They do not necessarily feel they need to be constrained or that it would be a good thing if they were constrained. They may see themselves as using their power to make more information available, to enable more innovation. And if they happen to make ungodly amounts of money in the process? So much the better.

Consider, for example, Google’s “Don’t Be Evil” motto, now discarded. In their infamous IPO filing, Google said:

Don’t be evil. We believe strongly that in the long term, we will be better served—as shareholders and in all other ways—by a company that does good things for the world even if we forgo some short term gains. This is an important aspect of our culture and is broadly shared within the company.

While it’s certainly within management’s control to decide on whether gains should be short-term or long-term, this statement comes awfully close to saying it’s going to forego gains in the interests of pursuing the founders’ world view of “good things.” But a company’s primary duty - management’s fiduciary duty under basic securities law - is to provide a return on shareholders investments. (Investors put money in to earn a profit, not to do good things.) From the outset, Google exclaimed that its goals were superior to the banal interests of shareholders, that it would decide on what things were good, regardless of the detriment to shareholders.

Enderle said he’s been looking at evil in the world and it comes down to this. The evil-doers never see themselves as evil: they seem themselves as heroes. The worst men in history saw themselves as so important, so great, that they could not be and should not be restrained by the laws that apply to others. Isn’t that how Google sees itself?

The potential for Google to do harm is vasty greater than it was for Microsoft because they are controlling information. Google can make Microsoft at its worst look far less evil. Google could be gaining absolute control over vast amounts of work. They were going to be a different company. They weren’t going to forecast their outlook to investors.

When it comes to being evil, Google doesn’t get that you dont get to define yourself. It’s how the world defines you. Google is going down the same path Microsoft went down — with a jetpack.

Richard KomanAs a lawyer and technology writer, Richard Koman brings a unique perspective to the blog's intersection of law, government and technology. See his full profile and disclosure of his industry affiliations.

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Google, Books and the Nature of Evil | ZDNet Government | ZDNet.com

Wednesday, April 29, 2009

Judge delays Google books hearing - San Jose Mercury News

 Judge delays Google books hearing - San Jose Mercury News

Judge delays Google books hearing

By Elise Ackerman

Mercury News

A federal judge Tuesday postponed a hearing to determine the fairness of the Google Book Search settlement, a landmark court case involving Google and a group representing the nation's authors and publishers.

U.S. District Judge Denny Chin in New York said he was moving the date of the hearing from June 11 to Oct. 7. He said he would also extend the deadline for authors and publishers to opt out of the settlement from May 5 to Sept. 4.

A group of authors that included the sons of John Steinbeck and musician Arlo Guthrie had requested the four-month extension, saying they needed more time to consider the settlement. In an interview, Gail Knight Steinbeck, chairwoman of the Creative Property Rights Alliance, said she didn't want to miss the opportunity represented by the settlement but that she was also concerned the deal could help Google assemble an information monopoly over media such as books, movies and music.

The settlement provides a mechanism for Google to compensate authors and publishers for including digital copies of their work in a giant database. It also gives Google a license to copy works whose copyright was previously considered in dispute — so-called orphan works that appeared to have been abandoned by owners of their copyrights.

An increasing number of authors, copyright specialists, academics, law professors and public interest groups have opposed the 134-page settlement, saying that it goes too far. "It is clear to us that the settlement, if approved, will shape the future of reading, research, writing and publication practices for decades to come," Professor Pamela Samuelson of the University of California-Berkeley School of Law wrote in an April 27 letter to the judge.

Neither Google nor the Authors Guild and the Association of American Publishers, which had sued Google for copyright violations, objected to the extension.

Separately, Reuters and the New York Times reported Tuesday that the Justice Department has begun an antitrust inquiry into the implications of the deal, although it was unclear what steps if any the department would take.

Contact Elise Ackerman at eackerman@mercurynews.com or 408-271-3774.

Judge delays Google books hearing - San Jose Mercury News

Friday, February 27, 2009

Kindles and "creative machines" blur boundaries of copyright - Ars Technica

Kindles and "creative machines" blur boundaries of copyright - Ars Technica

The Authors Guild has invited plenty of ridicule by claiming that Amazon's Kindle 2 violates authors' rights by reading works aloud. But buried in their argument is a surprisingly tangled puzzle for copyright law in the digital era.

By Julian Sanchez

The Authors Guild has come in for a fair amount of ridicule since their executive director, Paul Aiken, claimed that the speech-to-text feature of Amazon's new Kindle 2 violated copyright law, telling the Wall Street Journal: "They don't have the right to read a book out loud." On Wednesday, Guild president Roy Blount Jr. took to the pages of The New York Times to defend his group's much-mocked position, arguing that the device would "swindle" penurious writers out of precious audiobook revenue. Whether or not you think that's likely, however, probing the Guild's objections reveals one more way that advancing technology may blur traditional categories in copyright law.

The short version of Blount's argument is that the right to create an audiobook version of a text is generally more valuable than the right to distribute an e-book, and that the Kindle effectively gives Amazon a free twofer: having bought the cheaper e-book right, it gets to offer customers a multimedia package that includes an audiobook rendered on the fly.

While proponents of this argument have had some trouble explaining why it's OK for a human to privately read a bedtime story out loud, but not for a machine to do it, there is at least this potential distinction: private human reading is not a for-profit product that presents a realistic alternative to publisher-authorized audiobooks. The Kindle may not produce the kind of rich dramatic reading a human actor might record, but advances in text-to-speech technology make it a far more passable alternative than the sort of stilted Cylon centurion delivery that represented the state of the art just a few years ago.

For the moment, the Authors Guild seems to be hoping to rely on contract law rather than copyright litigation, urging authors and publishers to condition their licensing of e-book rights on Amazon's blocking the read-out-loud feature unless a separate performance license is purchased. It's not hard to see why: under the standard established in the seminal Betamax case, the Kindle's out-loud feature would almost certainly be deemed to have "substantial noninfringing uses," leaving the company in the clear, and publishers with the unrealistic recourse of trying to sue individual owners who "perform" their books without permission.

How to create a derivative work

But there is an implicit copyright claim lurking in the Guild's objections: US law assigns creators and publishers the exclusive right to prepare (or authorize) "derivative works" based on their creations—such as audiobooks, translations, and dramatic adaptations. But that raises a surprisingly tangled question: What does it mean to create a derivative work? As Sherwin Siy of Public Knowledge points out, the Guild has somewhat misleadingly spoken of "audio rights"—but there's no such thing as an "audio right" per se, only the right to prepare a "work," such as a particular (independently copyrightable) audio recording. But does the Kindle create a "work"?

Michael Kwun of the Electronic Frontier Foundation argues that it doesn't, for two reasons. First, he says, a "derivative work" must be a work of creative authorship: He cites the copyright statute's definition of "derivative work" as "a work based upon one or more preexisting works . . . which, as a whole, represent[s] an original work of authorship."

But there's ambiguity hiding in that ellipsis. The full text is:

A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work".

The second sentence imposes an originality requirement as the criterion for determining when revisions and annotations amount to the creation of a derivative work, not as a general requirement of any derivative work. Kwun invokes the hoary maxim "No creativity, no copyrightability," but this conflates the standard for independent copyrightability of a work with the criteria for infringement of the derivative work right. As legal scholar Paul Goldstein notes in his definitive essay on derivative works, "the [Copyright] Act does not require that the derivative work be protectable for its preparation to infringe." In other words, a work insufficiently original to be eligible for an independent copyright may still be an infringing derivative.

Consider, for instance, the Ninth Circuit Court of Appeals' decision in the 1984 case Lone Ranger Television v. Program Radio. Program Radio edited for broadcast old recordings of Lone Ranger teleplays that had fallen into the public domain. Thanks to a quirk of the law, however, the original scripts on which the programs were based remained under copyright. Though the edited versions clearly fell far short of the originality that would be required for an independent copyright, the Court held that Program Radio had violated the authors' exclusive "derivative works" rights. While the record is mixed, subsequent cases have at least been open to the category of "unoriginal" derivative works.

And Kwun concedes that his argument has some counterintuitive results: he told Ars that, on this theory, a translation of a text into another language—a paradigmatic example of derivative work—would not count as such if the translation were produced by an algorithmic software program like Google Translate. While no author has yet raised this claim, as far as I know, it might be argued that Google's on-the-fly translations of Web pages constitute large-scale production and dissemination of "derivative works." One interesting, and equally counterintuitive, wrinkle is that it might actually make an enormous legal difference whether the translation is performed on Google's servers and transmitted to the user, or by plug-in software on the end-user's home computer.

That's OK, Kwun has a backup argument with more solid support in case law. In the 1992 case Lewis Galoob Toys v. Nintendo of America, the Ninth Circuit found that Galoob's Game Genie—a device interposed between a game cartridge and the Nintendo console to allow users to tweak gameplay—did not create infringing "derivative works" of Nintendo's games because it did not "incorporate a portion of a copyrighted work in some concrete or permanent form." In other words, Game Genie altered the gaming experience, but did not actually create a new modified copy of the game. The Court codified that principle in Micro Star v. FormGen Inc., making the existence of some kind of nontransitory copy of a work a prerequisite for the creation of a "derivative."

Kindles and "creative machines" blur boundaries of copyright - Ars Technica

Thursday, September 11, 2008

Universal Digital Library: Results in Unicode

Universal Digital Library: Results in Unicode

The mission is to create a Universal Library which will foster creativity and free access to all human knowledge. As a first step in realizing this mission, it is proposed to create the Universal Library with a free-to-read, searchable collection of one million books, available to everyone over the Internet. Within 10 years, it is our expectation that the collection will grow to 10 Million books. The result will be a unique resource accessible to anyone in the world 24x7, without regard to nationality or socioeconomic background.

One of the goals of the Universal Library is to provide support for full text indexing and searching based on OCR (optical character recognition) technologies where available. The availability of online search allows users to locate relevant information quickly and reliably thus enhancing student's success in their research endeavors. This 24x7 resource would also provide an excellent test bed for language processing research in areas such as machine translation, summarization, intelligent indexing, and information retrieval.

It is our expectation that the Universal Library will be mirrored at several locations worldwide so as to protect the integrity and availability of the data. Several models for sustainability are being explored. Usability studies would also be conducted to ensure that the materials are easy to locate, navigate, and use. Appropriate metadata for navigation and management would also be created.

Universal Digital Library: Results in Unicode

Tuesday, August 26, 2008

Does Amazon's Kindle give hope to open-access model?

Does Amazon's Kindle give hope to open-access model? 

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Published on FierceBroadbandWireless (http://www.fiercebroadbandwireless.com)

Does Amazon's Kindle give hope to open-access model?

By lluna

Created Aug 25 2008 - 1:53am

How is one of the U.S. mobile wireless industry's first tests in open access fairing? Back in November, Amazon began distributing a new eBook device, called the Kindle, that makes use of Sprint's nationwide EV-DO network to enable wireless shopping and over-the-air content downloading. I noted then that the Kindle is the start of Sprint's whole concept around its WiMAX business--that a network can be accessed from several different types of consumer electronic devices that aren't subsidized or sold by the wireless operator.

While Amazon isn't saying how many devices have sold, Citigroup [1] recently said the Kindle appears to be selling much better than anticipated and could double a previous estimate for units sold this year. In fact, with few innovative gadgets on the market, the Kindle could become one of the top electronics gifts of the holiday season, along with the Apple iPhone, of course.

"Turns out the Kindle is becoming the iPod of the book world," Citigroup analyst Mark Mahaney wrote in a note to clients. He estimates that Amazon will sell up to 380,000 Kindle devices this year, up from his previous forecast of 190,000. Perhaps more impressive, Mahaney expects Kindle and related revenue of more than $1 billion by 2010.

Scott Devitt, an analyst at Stifel Nicolaus, forecasts Amazon will sell 500,000 to 750,000 Kindles in the next year.

Open access is off to a slow start as WiMAX deployments have been delayed and Verizon's open-access plans announced last year haven't really come to fruition. Is the Kindle in the position to give hope to the entire open-access model? Despite the fact that Amazon is in a unique position to continually market the device on its web site, the Kindle has to be a foreshadowing of the revenue-generating potential.--Lynnette [2]


Source URL:
http://www.fiercebroadbandwireless.com/story/apple/2008-08-25

Links:
[1] http://news.yahoo.com/s/nm/20080811/wr_nm/amazon_research_citigroup_dc
[2] mailto: lluna@fiercemarkets.com

Does Amazon's Kindle give hope to open-access model?

Tuesday, July 29, 2008

First it was downloads. Now it's organic chemistry. - International Herald Tribune

 

First it was downloads. Now it's organic chemistry.

By Randall Stross

Published: July 27, 2008

After scanning his textbooks and making them available to anyone to download free, a contributor at the file-sharing site PirateBay.org composed a colorful message for "all publishers" of college textbooks, warning them that "myself and all other students are tired of getting" ripped off. (The contributor's message included many ripe expletives, but hey, this is a family newspaper.)

All forms of print publishing must contend with the digital transition, but college textbook publishing has a particularly nasty problem on its hands. College students may be the angriest group of captive customers to be found anywhere.

Consider the cost of a legitimate copy of one of the textbooks listed at the Pirate Bay, John McMurry's "Organic Chemistry." A new copy has a list price of $209.95; discounted, it's about $150; used copies run $110 and up. To many students, those prices are outrageous, set by profit-engorged corporations (and assisted by callous professors, who choose which texts are required). Helping themselves to gratis pirated copies may seem natural, especially when hard drives are loaded with lots of other products picked up free.

But many people outside of the students' enclosed world would call that plain theft.

Compared with music publishers, textbook publishers have been relatively protected from piracy by the considerable trouble entailed in digitizing a printed textbook. Converting the roughly 1,300 pages of "Organic Chemistry" into a digital file requires much more time than ripping a CD.

The textbook publishers have abundantly good reasons to promote e-books. When Cengage sells an e-book version of "Organic Chemistry" directly to students, for $109.99, it not only cuts out the middleman but also reduces the supply of used books at the end of the semester.

THE e-book is wrapped with digital rights management, which, history indicates, will be broken sooner or later. But as long as it does work, digital publishing with a subscription model is a much fairer basis for the business. Such an arrangement spreads revenue across multiple semesters, so it isn't the unfortunate few students in the first semester with a new edition who shoulder the bulk of the burden.

A one-semester e-book subscription does require a change in expectations. Students cannot sell their texts at the end of a course, so buying one can't be viewed as a short-term investment to be cashed out. But as students show no attachment to textbooks in any case, the loss of access after semester's end seems likely to go unlamented.

Randall Stross is an author based in Silicon Valley and a professor of business at San Jose State University. E-mail: stross@nytimes.com.

First it was downloads. Now it's organic chemistry. - International Herald Tribune

Wednesday, January 16, 2008

Publishing Frontier » Blog Archive » The Baby and the Bath Water

"Very interesting look at the world of academic presses and open access, I would hope (trust) that the Univ of Pittsburgh has done their homework on where their sales come from, in that they know whether the frontlist or the backlist is the driving force in maintinaing sustainability.....Didn't spend too much time trying to get the author's creditinals......Sorry, HSM  "

The Baby and the Bath Water

The University of Pittsburgh Press has just made an extraordinary announcement. The Press plans to make its entire backlist available for free online two years after formal, print publication. Here is what the AAUP newsletter has to say about this:

Recently, the University of Pittsburgh Press has announced that it is working to make its entire back catalog available online, free of charge, through Pitt’s University Library System (ULS). New titles will be added to UPP Digital Editions, part of ULS’s D-Scribe program, after the books have been in print for two years.

The reason this is extraordinary is that it violates the basic economic principle of book publishing, namely, you lose money on frontlist and make money (sometimes) on the backlist. Pittsburgh’s program will over time (it won’t happen overnight) erode backlist sales, reduce the Press’s income, and thus make it more difficult for the Press to underwrite new books. (I don’t know the specifics of the Press’s financial situation, but if it is like most other university presses, part of its operations are subsidized by its parent institution. Having said that, revenue from book sales, especially of the backlist, is surely part of its overall economic picture.)

Backlist sales are the bedrock of book publishing economics, and they are tied to an important corollary: Good books backlist, bad books disappear. (Yes, the term “backlist” is a verb as well as a noun. Publishers are not always the most zealous guardians of the language.) It may be that Pittsburgh is not concerned about the erosion of backlist sales because they don’t have any. If so, then what appears on the surface to be an open access initiative may in fact be the outcome of undistinguished editorial judgment.

There is a fundamental difference between book sales and the subscription sales of academic journals. Most revenue for journals are for current issues. Thus many journal publishers now make their backlists or backfiles, as they are called, open access after six months or one year; sometimes this form of open access is mandated by funding agencies. The revenue loss to such journal publishers is likely to be negligible. The economics of book publishing and journal publishing are precisely the reverse of one another. It would make more sense for a book publisher to post new books for free online for six months and then charge for them thereafter. (The ratio of frontlist to backlist sales varies by publisher, subject category, author, and publishing segment.)

This is not to say that open access cannot be used to help to sell books. One of the real innovators in this regard is a contributor to the Publishing Frontier blog, Michael Jensen of National Academies Press. NAP has done extensive testing of the relationship between open access material and the sale of books, whether in print or digital form. Shrewd publishers can and should learn from NAP. I advise all my clients to test various forms of open access as a form of product sampling. Unfortunately, there is no evidence that Pittsburgh has put into place the various marketing techniques that have enabled NAP to experiment with open access and still manage its operation responsibly.

The AAUP uses the word “innovation” in its story about Pittsburgh. Wrong word, I believe. Somewhat paradoxically, the Press’s initiative is a bet that digital media don’t matter. I believe the opposite, that digital media matter very much and that the flirtation with hybrid models that marry print to electronics is a useful but transitory phase; in the end (I won’t predict when that will be) all publishing will be digital. Pittsburgh is counting on print and electronics occupying parallel universes forever, where one medium does not effect the other (except, perhaps, positively, but this is wishful thinking). This is myopia, not innovation.

The University of Pittsburgh Press has started down the slippery slope. While it may receive some support from its parent now, over time that support will grow until all the costs for the Press must be covered by the parent. The parent may then decide, as many universities have already determined, that the support for the Press is too great. Support gets cut back, the number of books published then drops, and scholars everywhere lament the fact that there are fewer and fewer outlets for their work. No one should be surprised when commercial publishers increase their presence in academic publishing, picking off the most profitable programs. This is not a way to build a university press, nor is it a harbinger of a bright future for scholarly communications. Open access is not an innovation but one aspect of a complex marketing program. I wish the University of Pittsburgh Press had such a program in place.

Publishing Frontier » Blog Archive » The Baby and the Bath Water

Friday, November 30, 2007

Online Library Project Hits 1.5 Million Book Milestone

Online Library Project Hits 1.5 Million Book Milestone

(PC World contributor John Troynousky took a look at today's news from Carnegie Mellon University. Here what he found)

UDL1.jpg

Carnegie Mellon University says it has digitized an astounding 1.5 million books as part of its Universal Digital Library project. The ambitious task, launched in 2002, set out to digitize nothing less than all of humanity's published works. In 1000 years, the plan is, there will be a complete record of all books from the Gutenberg Bible to today's latest romance novel by Danielle Steel.

So far with 1.5 books digitized, the project estimates it's one percent done with a long way to go.

Books are online today and accessible for free through the Universal Digital Library Web site. However I've experienced major headaches trying to access the online library and have received more browser errors than books. I'm guessing this has to do with the media attention the library is getting today that is translating into more Web traffic than the site can handle.

CMU exceeded its original goal of one million books this past April, and it is showing no signs of slowing down. Over 7000 books are scanned across the globe daily, according to CMU. There is, however, something standing in the project's way. Because of copyright concerns over scanned books the program is playing it safe.

What is available today is mostly books that are in the public domain or are books where the copyright holder has given the UDL permission to make a title available. When and if there is a question about a book's copyright only 15 percent of the book is published online – however the entire book is scanned and archived.

My review of the UDL revealed that it is playing it safe indeed. Only 15 percent of the public domain book Alice in Wonderland, by Lewis Carroll, for example is available at UDL.

Project director Michael Shamos explained to to CNET in a story it has to play it safe because the project doesn't want to spend the university's endowment for the initiative on legal fees.

Shamos and the UDL are actually less concerned with short term access to books. Their goal is to preserve books for access hundreds of years from now, according the project's mission statement.

I can only hope my ancestors don't have to deal with today's copyright laws.

CMU efforts compete with similar initiatives by Google (Google Book Search), the Internet Archive (Text Archive), and Project Gutenberg.

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